Free Radicals

• FREE RADICALS BOSE ZELLEN (DVD MOVIE)

This is a bold expose of science's mavericks. For more than a century, science has cultivated a sober public image for itself. But as bestselling author Michael Brooks explains, the truth is very different: many of our most successful scientists have more in common with libertines than librarians. This thrilling exploration of some of the greatest breakthroughs in science reveals the extreme lengths some scientists go to in order to make their theories public. Fraud, suppressing evidence and unethical or reckless PR games are sometimes necessary to bring the best and most brilliant discoveries to the world's attention. Inspiration can come from the most unorthodox of places, and Brooks introduces us to Nobel laureates who get their ideas through drugs, dreams and hallucinations. Science is a highly competitive and ruthless discipline, and only its most de! termined and passionate practitioners make headlines - and history. To succeed, knowledge must be pursued by any means: in science, anything goes.Free Radicals in Biology and Medicine has become a classic text in the field of free radical and antioxidant research since its first publication in 1985.

This latest edition has been comprehensively rewritten and updated (over 80% of the text is new), while maintaining the clarity of its predecessor. There is expanded coverage of isoprostanes and related compounds, mechanisms of oxidative damage to DNA and proteins (and the repair of such damage), the free radical theory of aging and the roles played by reactive species in signal transduction, cell death, human reproduction, and other important biological events. Greater emphasis has also been placed on the methods available to measure reactive species and oxidative damage (and their potential pitfalls), as well as the importance of antioxidants in the human diet! .

This book is recommended as a comprehensive introduc! tion to the field for students, clinicians and researchers, and an invaluable companion to all those interested in the role of free radicals in the life and biomedical sciences.

The New York Times bestselling author heralds the future of business in Free.

In his revolutionary bestseller, The Long Tail, Chris Anderson demonstrated how the online marketplace creates niche markets, allowing products and consumers to connect in a way that has never been possible before. Now, in Free, he makes the compelling case that in many instances businesses can profit more from giving things away than they can by charging for them. Far more than a promotional gimmick, Free is a business strategy that may well be essential to a company's survival.

The costs associated with the growing online economy are trending toward zero at an incredible rate. Never in the course of human history have the primary inputs to an industrial economy fallen in price so fa! st and for so long. Just think that in 1961, a single transistor cost $10; now Intel's latest chip has two billion transistors and sells for $300 (or 0.000015 cents per transistor--effectively too cheap to price). The traditional economics of scarcity just don't apply to bandwidth, processing power, and hard-drive storage.

Yet this is just one engine behind the new Free, a reality that goes beyond a marketing gimmick or a cross-subsidy. Anderson also points to the growth of the reputation economy; explains different models for unleashing the power of Free; and shows how to compete when your competitors are giving away what you're trying to sell.

In Free, Chris Anderson explores this radical idea for the new global economy and demonstrates how this revolutionary price can be harnessed for the benefit of consumers and businesses alike.

The New York Times bestselling author heralds the future of business in Free.

In his revolutionary bestseller, The Long Tail, Chr! is Ander son demonstrated how the online marketplace creates niche markets, allowing products and consumers to connect in a way that has never been possible before. Now, in Free, he makes the compelling case that in many instances businesses can profit more from giving things away than they can by charging for them. Far more than a promotional gimmick, Free is a business strategy that may well be essential to a company's survival.

The costs associated with the growing online economy are trending toward zero at an incredible rate. Never in the course of human history have the primary inputs to an industrial economy fallen in price so fast and for so long. Just think that in 1961, a single transistor cost $10; now Intel's latest chip has two billion transistors and sells for $300 (or 0.000015 cents per transistor--effectively too cheap to price). The traditional economics of scarcity just don't apply to bandwidth, processing power, and hard-drive storage.

Yet this is just one engine behind the new Free, a reality that goes beyond a marketing gimmick or a cross-subsidy. Anderson also points to the growth of the reputation economy; explains different models for unleashing the power of Free; and shows how to compete when your competitors are giving away what you're trying to sell.

In Free, Chris Anderson explores this radical idea for the new global economy and demonstrates how this revolutionary price can be harnessed for the benefit of consumers and businesses alike.

FREE RADICALS - DVD Movie

Dead Silence [Blu-ray]

• UK Import
• Blu-ray
• Region-Free

New unrated version more gruesome and horrifying than anything seen in theaters. Dare to unlock the deadly curse of Mary Shaw... From the writers and director of Saw comes a new thriller of relentless terror! Ever since Mary Shaw was hunted down and killed, the small town of Ravens Fair has been haunted by horrific deaths. When a local's wife is brutally murdered, he returns home to unravel the terrifying legend of Mary Shaw and the reason why when you see her, you should never, ever scream. Starring: Donnie Wahlberg, Ryan Kwanten, Amber Valletta, Bob Gunton, Michael Fairman, Judith Roberts, Laura Regan Directed by: James WanYou Scream. You Die. Dare to unlock the deadly curse of Mary Shaw... From the writers and director of Saw comes a new thriller of relentless terror! Ever since Mary Shaw was hunted down and killed, the small town of Rav! ens Fair has been haunted by horrific deaths. When a local's wife is brutally murdered, he returns home to unravel the terrifying legend of Mary Shaw and the reason why when you see her, you should never, ever scream. Starring: Donnie Wahlberg, Ryan Kwanten, Amber Valletta, Bob Gunton, Michael Fairman, Judith Roberts, Laura Regan Directed by: James WanBilly in Dead Silence inevitably recalls other possessed dolls such as those in Devil Doll, but he is an entertaining dummy nonetheless. As a variation on evil-doll films like Child's Play or Puppet Master, Dead Silence stars a dummy who isn't a killer himself but a vehicle for a vengeful ghost. Previously owned by Mary Shaw, a ventiloquist who was murdered by local Ravens Hill villagers for kidnapping a boy to turn him into a human puppet, Billy houses Mary Shaw's spirit while she gets revenge on all those who killed her. Jamie Ashen (Ryan Kwanten) unravels Billy's mystery after Billy is delivered! to his door to claim Jamie's wife's life, since she is pregna! nt with Jamie's son. Mary Shaw aims to obliterate his entire Ashen clan, since they were partially responsible for her death. Plot, from there, teeters on the ridiculous, as Mary (via Billy) rips peoples tongues out left and right. Jamie's futile attempts to stop Shaw's ghost result in his discovering a gruesome secret about his brutal, abusive father. Writer Leigh Whannell and director James Wan, of Saw, made this almost comical film about 101 dummies, all relatives of Billy's, who are slaves to their sadistic creator. With many direct references to '80s horror films, and a soundtrack theme song almost exactly like Phantasm's, Dead Silence's charm banks on its lack of computer-y special effects rather than its originality. Billy's sly violence is creepy but funny, making for a relatively lighthearted horror film that won't traumatize as much as it makes one chuckle. â€"Trinie DaltonOld ladies, ventriloquist dummies, decrepit small-towns, and dolls are all explo! ited for their full creepy potential in DEAD SILENCE, a relatively innocent but thoroughly scary horror feature from the makers of SAW. After a heavily stylised black-and-white opening credit sequence that shows the story's central ghost, Mary Shaw, constructing her beloved ventriloquist dolls back in her heyday, the film transports viewers to the present. As newlyweds Jamie (Ryan Kwanten) and Lisa Ashen potter lovingly about their apartment far from their hometown of Raven's Fair, it is clear that something bad is about to happen. This dread is only further cemented when a knock on the door leads the lovebirds to discover an unmarked box containing a worn but eerily lifelike ventriloquist's dummy. When Jamie goes out to pick up some takeout, he returns to find his wife's mangled body (minus her tongue) propped up like the dummy seemingly responsible for her death. With detective Jim Lipton (Donnie Wahlberg) on his heels, and a very guilty dummy in his passenger seat, grieving Jamie returns to Raven's Fair with the hunch that his wife's death is linked to the town's murdered ventriloquist, Mary Shaw. Once grand, Raven's Fair is now in a state of decay, and many of its inhabitants have died mysterious and brutal deaths in the years since Jamie was last home. Jamie arrives at his wealthy father's home, only to find a young new bride (Amber Valetta) by his side. No one wants to talk about Mary Shaw, let alone whisper her name. If Jamie is going to get to the bottom of the Mary Shaw legend, he'll have to face the town's past on his own. Arriving in the midst of the gore/torture trend (SAW, HOSTEL), DEAD SILENCE comes as a breath of fresh air. It's nice to see that a horror movie can still use gore with discretion and deliver a fright through old-fashioned scare tactics and a premise as simple as a ghost story.Billy in Dead Silence i! nevitably recalls other possessed dolls such as those in Devil Doll, but he is an entertaining dummy nonetheless. As a variation on evil-doll films like Child's Play or Puppet Master, Dead Silence stars a dummy who isn't a killer himself but a vehicle for a vengeful ghost. Previously owned by Mary Shaw, a ventiloquist who was murdered by local Ravens Hill villagers for kidnapping a boy to turn him into a human puppet, Billy houses Mary Shaw's spirit while she gets revenge on all those who killed her. Jamie Ashen (Ryan Kwanten) unravels Billy's mystery after Billy is delivered to his door to claim Jamie's wife's life, since she is pregnant with Jamie's son. Mary Shaw aims to obliterate his entire Ashen clan, since they were partially responsible for her death. Plot, from there, teeters on the ridiculous, as Mary (via Billy) rips peoples tongues out left and right. Jamie's futile attempts to stop Shaw's ghost result in his discovering a gruesome secret ab! out his brutal, abusive father. Writer Leigh Whannell and dire! ctor Jam es Wan, of Saw, made this almost comical film about 101 dummies, all relatives of Billy's, who are slaves to their sadistic creator. With many direct references to '80s horror films, and a soundtrack theme song almost exactly like Phantasm's, Dead Silence's charm banks on its lack of computer-y special effects rather than its originality. Billy's sly violence is creepy but funny, making for a relatively lighthearted horror film that won't traumatize as much as it makes one chuckle. â€"Trinie Dalton

Aqua Teen Hunger Force Colon Movie Film for Theaters for DVD

• The Aqua Teen Hunger Force movie establishes the origins of the Aqua Teens and attempts to explain the back story to some age-old mysteries that have surrounded the Aqua Teens. Or does it? No one really knowsRunning Time: 166 min. Format: DVD MOVIE Genre: COMEDY Rating: R Age: 053939791921 UPC: 053939791921 Manufacturer No: T7919

The Aqua Teen Hunger Force movie establishes the origins of the Aqua Teens and attempts to explain the back story to some age-old mysteries that have surrounded the Aqua Teens. Or does it? No one really knows

DVD Features:
Alternate endings
Deleted Scenes
Featurette
Music Video
Other
Photo gallery
Theatrical Trailer

Fans of Cartoon Network’s Aqua Teen Hunger Force series (part of the cable channel’s Adult Swim programming) know what they’re in for with this feature! -length extension of the nearly-indescribable animated show. Set in a rundown, Jersey suburb, Aqua Teen concerns the misadventures of three human-size characters who happen to be fast food refuse: the crude Master Shake, a discarded milkshake in a cup similar to those from McDonalds; skeptical Frylock, a flying, cardboard box of french fries; and the personable Meatwad, a piece of expired, red beef of unknown origin. Together, they go in search of a missing piece of an exercise machine that happens to be more than an exercise machine, placing them on a collision course with the likes of Oglethorpe and Emory, a pair of jagged, ridiculous creatures from the future who travel with a robot companion claiming to be the Ghost of Christmas Past. They also encounter Dr. Weird, a mad scientist given to disguises and who seeks revenge against the Hunger Force; McPee Pants, a rapping spider who wears a shower cap and diaper; and the hilarious Ignignokt and Err, two-dimensional ! villains from the ancient days of pokey, Atari video games. Da! ve Willi s and Matt Maiellaro, series creators and writers-directors on Aqua Teen Hunger Force Colon Movie Film for Theaters, are wildly entertaining class clowns, but they expect the rest of us to follow them into their surreal world of postmodern animated nuttiness. The rewards, however, are plentiful. --Tom Keogh

Triple Feature: French Kiss, Never Been Kissed, One Fine Day

• 5.1 Dolby Surround
• Widescreen

Meg Ryan ("Sleepless in Seattle") and Kevin Kline ("Dave") star in this bouncy romantic comedy about life, love and larceny. When her fiancé is smitten by a beautiful Frenchwoman, Kate (Ryan) flies to Paris determined to win him back. However, nothing prepares her for Luc (Kline), a cunning sexy Frenchman with a gift for gab and a fondness for thievery. A self-proclaimed expert on affairs of the heart, Luc promises to help Kate win back her man. But one star-crossed misadventure after another sweeps them across France, ultimately changing them in ways they never dreamed possible.Meg Ryan emerges bloodied but unbowed from this botched comedy by Lawrence Kasdan (The Big Chill). Ryan plays a woman whose fiancé (Timothy Hutton) leaves her for a Parisian beauty. She jets over to the City of Lights to fight for her man, but an incapacitating fear of! flying forces her to seek help from a fellow passenger, a French thief played by Kevin Kline, who then tutors her in the ways of getting her beau back. Kasdan seems incapable of pacing the story, let alone getting a firm grip on its comic tone and intentions. The production sputters and regroups and stalls repeatedly, forcing Ryan, particularly, to find the boundaries of her own screwball performance. --Tom KeoghMeg Ryan ("Sleepless in Seattle") and Kevin Kline ("Dave") star in this bouncy romantic comedy about life, love and larceny. When her fiancé is smitten by a beautiful Frenchwoman, Kate (Ryan) flies to Paris determined to win him back. However, nothing prepares her for Luc (Kline), a cunning sexy Frenchman with a gift for gab and a fondness for thievery. A self-proclaimed expert on affairs of the heart, Luc promises to help Kate win back her man. But one star-crossed misadventure after another sweeps them across France, ultimately changing them in ways th! ey never dreamed possible.Meg Ryan emerges bloodied but unbowe! d from t his botched comedy by Lawrence Kasdan (The Big Chill). Ryan plays a woman whose fiancé (Timothy Hutton) leaves her for a Parisian beauty. She jets over to the City of Lights to fight for her man, but an incapacitating fear of flying forces her to seek help from a fellow passenger, a French thief played by Kevin Kline, who then tutors her in the ways of getting her beau back. Kasdan seems incapable of pacing the story, let alone getting a firm grip on its comic tone and intentions. The production sputters and regroups and stalls repeatedly, forcing Ryan, particularly, to find the boundaries of her own screwball performance. --Tom KeoghFRENCH KISS & SHE'S THE ONE 2PK - DVD Movie

French Kiss: Meg Ryan emerges bloodied but unbowed from this botched comedy by Lawrence Kasdan (The Big Chill). Ryan plays a woman whose fiancé (Timothy Hutton) leaves her for a Parisian beauty. She jets over to the City of Lights to fight for her man, but an inca! pacitating fear of flying forces her to seek help from a fellow passenger, a French thief played by Kevin Kline, who then tutors her in the ways of getting her beau back. Kasdan seems incapable of pacing the story, let alone getting a firm grip on its comic tone and intentions. The production sputters and regroups and stalls repeatedly, forcing Ryan, particularly, to find the boundaries of her own screwball performance. --Tom Keogh

She's the One: Following the success of his spunky, 1995 directorial debut, The Brothers McMullen, Edward Burns suffers a little sophomore slump with this comedy about a pair of rivalrous brothers who get into bizarre relationships with women in a fierce but immature pursuit of happiness. When they find they both have a complicated interest in the same woman (Cameron Diaz), things come to a head. The film is a little overwritten, undershot, bulky, slow, and static, but it is also funny and inventive--further pr! oof that Burns knows his New York City beat as well as Woody A! llen doe s. With Jennifer Aniston, Maxine Bahns, and John Mahoney. --Tom Keogh

Down to Earth

• Condition: New
• Format: DVD
• Anamorphic; Closed-captioned; Color; DVD; Widescreen; NTSC

When a presidential candidate is needed just a few weeks before the election washington picks mays graham a powerless politician they plan to use as their puppet certain he will lose. But mays wont go out like that! if hes going to run hes going to have fun! Studio: Paramount Home Video Release Date: 02/13/2007 Starring: Christ Rock Run time: 95 minutes Rating: Pg13Chris Rock writes, directs, and stars in the sassy political comedy Head of State, about Mays Gilliam, a black man who's chosen by the leaders of an unspecificed party to run for president after their previous candidates die in a plan crash. Though he initially follows his handler's instructions, Gilliam soon starts handling speeches in his own brazen, outspoken way, which starts to turn the tide--which upsets the party! leaders who chose him, since they expected him to lose. While Head of State doesn't quite have the razor wit that Rock wields in his stand-up routine, it has a sharper edge than just about any other political satire in recent memory. Rock bursts with charisma, and his supporting cast (including Lynn Whitfield, Dylan Baker, Robin Givens, and especially Bernie Mac as Gilliam's brother and running mate) provide solid comic support. --Bret FetzerWhen a presidential candidate is needed just a few weeks before the election washington picks mays graham a powerless politician they plan to use as their puppet certain he will lose. But mays wont go out like that! if hes going to run hes going to have fun! Studio: Paramount Home Video Release Date: 02/13/2007 Starring: Chris Rock Run time: 95 minutes Rating: Pg13Chris Rock writes, directs, and stars in the sassy political comedy Head of State, about Mays Gilliam, a black man who's chosen by the leaders of an! unspecificed party to run for president after their previous ! candidat es die in a plan crash. Though he initially follows his handler's instructions, Gilliam soon starts handling speeches in his own brazen, outspoken way, which starts to turn the tide--which upsets the party leaders who chose him, since they expected him to lose. While Head of State doesn't quite have the razor wit that Rock wields in his stand-up routine, it has a sharper edge than just about any other political satire in recent memory. Rock bursts with charisma, and his supporting cast (including Lynn Whitfield, Dylan Baker, Robin Givens, and especially Bernie Mac as Gilliam's brother and running mate) provide solid comic support. --Bret FetzerNo Description Available.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 24-APR-2007
Media Type: DVDChris Rock writes, directs, and stars in the sassy political comedy Head of State, about Mays Gilliam, a black man who's chosen by the leaders of an unspecificed party t! o run for president after their previous candidates die in a plan crash. Though he initially follows his handler's instructions, Gilliam soon starts handling speeches in his own brazen, outspoken way, which starts to turn the tide--which upsets the party leaders who chose him, since they expected him to lose. While Head of State doesn't quite have the razor wit that Rock wields in his stand-up routine, it has a sharper edge than just about any other political satire in recent memory. Rock bursts with charisma, and his supporting cast (including Lynn Whitfield, Dylan Baker, Robin Givens, and especially Bernie Mac as Gilliam's brother and running mate) provide solid comic support. --Bret FetzerChris Rock writes, directs, and stars in the sassy political comedy Head of State, about Mays Gilliam, a black man who's chosen by the leaders of an unspecificed party to run for president after their previous candidates die in a plan crash. Though he initially foll! ows his handler's instructions, Gilliam soon starts handling s! peeches in his own brazen, outspoken way, which starts to turn the tide--which upsets the party leaders who chose him, since they expected him to lose. While Head of State doesn't quite have the razor wit that Rock wields in his stand-up routine, it has a sharper edge than just about any other political satire in recent memory. Rock bursts with charisma, and his supporting cast (including Lynn Whitfield, Dylan Baker, Robin Givens, and especially Bernie Mac as Gilliam's brother and running mate) provide solid comic support. --Bret FetzerWhen an African American stand up comedian prematurely dies, the angels in heaven supply him with the body of an eldery white tycoon, so that he can return to earth.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 2-JAN-2007
Media Type: DVDA tepid reworking of Warren Beatty's Heaven Can Wait (itself a remake of 1941's Here Comes Mr. Jordan), Down to Earth tries to mold co! median Chris Rock into an amiable romantic lead, but it softens the scathingly observant humor that made Rock a standup successor to Richard Pryor. Rock's aggressive style is bracingly expressed in a few good scenes, but through most of this movie--from the directors of American Pie--he struggles with dialogue that would barely pass muster in a low-rated sitcom. Edgy potential loses out to crowd-pleasing with the familiar body-switch formula: by way of premature death and bad timing on the part of heaven's Vegas-styled gatekeepers (played by Eugene Levy and Chazz Palminteri), Rock--as struggling comedian Lance Barton--is reincarnated as a 55-year-old white billionaire with a nasty reputation.

Adjusting (too easily) to his racial transition, Lance charms a hospital administrator (Regina King) who's amazed to see the selfish white billionaire turning into romantic philanthropist. This allows plenty of black/white-contrast jokes (did you ever see a fat, middle-aged! white guy who's into hip-hop?), and Rock, who cowrote the scr! eenplay, still manages to work some pointed politics into the movie's good-natured tone. It's guaranteed that some will find Down to Earth quite entertaining, but others will wonder how potent this comedy could have been if Rock had been more willing to confront the harsher truths that lurk beneath the humor. --Jeff Shannon

Mr. Bean's Holiday (Widescreen Edition)

• Features include: -MPAA Rating: G -Format: DVD-Runtime: 90 minutes

THE BOARD OF A FAMED BRITISH MUSEUM HAS FINALLY FIGURED OUT HOW TO DISPOSE OF THEIR MOST USELESS EMPLOYEE,MR. BEAN,BY SENDING HIM TO AMERICA WITH THE PAINTING OF WHISTLER'S MOTHER. BEAN ISLOOSE AND LOS ANGELES WILL NEVER BE THE SAME AGAIN!Translating Rowan Atkinson's Mr. Bean character from British television to the big screen takes a bit of a toll, but there are some hilarious sequences in this popular comedy. Bean, a boy-man twit with a knack for getting into difficult binds (and then making them worse and worse and worse), is a London museum guard who is sent to Los Angeles in the company of the famous painting Whistler's Mother. He's mistaken as an art expert by the well-meaning curator (Peter MacNicol) of an L.A. museum, but Bean's famously eccentric behavior soon causes the poor guy to almost lose his family and j! ob. The insularity of Bean's TV world is sacrificed in this film, and that change diminishes some of the character's appeal. But Atkinson is a man naturally full of comedy, and he doesn't let his fans down. --Tom Keogh Rowan Atkinson (Johnny English, Blackadder) stars as the iconic Mr. Bean, who never fails to leave a trail of merry mayhem and side-splitting laughter in his wake. His exploits have earned MR. BEAN a slew of awards and an international cult following, and now every one of his live adventures is conveniently packed up in one tidy box.

Included in this collector s set are all 14 episodes of the landmark original series that introduced Mr. Bean to an adoring, if confused, world, as well as his two feature films Mr. Bean: The Movie and Mr. Bean s Holiday. And if that s not enough, a bonus helping of Mr. Bean: The Animated Series features him in the role he was drawn to play. It all adds up to the ultimate serving of Bean, so pull up a chair and dig ! right in.

Contents Include

THE WHOLE BEAN
BEA! N: THE M OVIE
MR. BEAN S HOLIDAY
BONUS: THE ANIMATED SERIESBEAN THE MOVIE Call him hilarious. Call him laugh-out-loud funny. But whatever you do, call him BEAN. In the comedy that rocked America, Rowan Atkinson is the outrageous Mr. Bean, sent on a mission to California to escort the world famous painting of Whistler's Mother to its new home in the Grierson Gallery. He's also clumsy, crazy, wacky, wild, and certainly not someone you'd entrust one of the world's most valuable paintings to. With only hours to go before the official unveiling by the museum's benefactor, General Newton (Burt Reynolds), something terrible has happened to Whistler's Mother and only one man has the power to put it right. The only problem is... that man is BEAN. JOHNNY ENGLISH He knows no fear. He knows no danger. He knows… nothing! When the priceless Crown Jewels are stolen, bumbling Johnny English (Rowan Atkinson) is the only secret agent in the country (literally!) who can solve the crime. His pri! me suspects: a sinister businessman (John Malkovich) and a beautiful woman (Natalie Imbruglia) with a mysterious interest in Johnny's top-secret mission. Can the clueless superspy save the day without denting the nation's pride… or his super-cool Aston Martin?He captured the hearts of millions of viewers worldwide. His movie grossed nearly a quarter of a billion dollars worldwide. He's been called the most embarrassing man on the planet. Now the entire Mr. Bean series, the British comic phenomenon created by Rowan Atkinson (Blackadder, Four Weddings and a Funeral), is finally available in one complete package.Bean, Bean, maniacal nut / The more you watch, you bust a gut! First unleashed in 1989, this sketch series was embraced by PBS viewers in the United States. In the tradition of the great silent clowns, Rowan Atkinson created a character with universal and multi-generational appeal (the sketches have little dialogue and are driven by often inge! nious physical comedy). Like Bart Simpson, the resourceful, mi! schievou s, and sometimes malevolent Bean is the inner child incarnate who acts on the impulses polite society normally represses. Atkinson has described Bean as "a 9-year-old boy, with an apparent lack of worldly experience, but an ingenuity that is quite clever in dealing with problems presented to him." These problems include not knowing a single answer on an exam, tactfully disposing of a revolting restaurant meal, changing into his swimsuit at the beach without first removing his pants, and, most hilariously, getting a turkey stuck on his head (a classic bit reprised in the ill-conceived 1997 feature film).

Atkinson has enjoyed some mainstream success stateside. He was the nervous minister ("...your awfully wedded wife") in Four Weddings and a Funeral, and the voice of Zazu in The Lion King. But he mainly enjoys cult status among British comedy aficionados as a founding member of Not the Nine O'Clock News and the star of the Black Adder series. B! ean is his crowning creation. In addition to all 14 episodes, this generous boxed set contains previously unaired sketches, Comic Relief appearances, and a segment about Bean's creation, which serves as a nifty introduction for the uninitiated. It also contains a preview for the new Mr. Bean animated series. This seems redundant. As this collection hilariously demonstrates, Bean is already animated enough. --Donald LiebensonMeet Ivy and Bean, two friends who never meant to like each other. This boxed set is a delightful introduction to these spunky characters. It includes the first three books in the Ivy and Bean series, and a secret treasure-hiding boxwith a cool surprise inside!Rowan Atkinson (Bean, Love Actually, Johnny English) returns to his iconic role as the comical and endearing Mr. Bean in this outrageous comedy adventure! Mr. Bean (Atkinson) can't believe his luck when he wins a camcorder and an all-expense-paid vacatio Welcome back, Mr. Bean! After! a too-long hiatus, it's a breath of fresh air to see you out ! and abou t, innocent as ever, unwitting in the havoc you wreak and clueless in the chaos you cause. In Mr. Bean's Holiday (the title echoes Jacques Tati's breezy 1953 classic Mr. Hulot's Holiday), the resourceful man-child Bean (Rowan Atkinson) wins a church raffle that packs him off to the beaches of the south of France. But getting there is all the funny, as he is detoured by one mishap after another. En route, he comes to the "aid" of a Cannes Film Festival judge's young son, who is separated (no thanks to Bean) from his father at the train station. Bean also stumbles upon a commercial shoot directed by a stereotypical egomaniacal American filmmaker (Willem Dafoe), and crosses paths with an aspiring actress (a charming Emma de Caunes) also on her way to Cannes. Mr. Bean's Holiday, an upgrade over the 1997 feature Bean, was a box-office smash around the world, but in the States, not so much. Here, the shock gag has replaced the sight gag, and this G-rate! d Holiday might be considered by more jaded viewers as out of step with contemporary tastes (unlike Borat, there is not a mean-spirited bone in Bean's gangly, malleable body). But in the classic tradition of the silent-movie clowns, Bean's visual comedy is universal and requires little translation (there are limited subtitles in this film). Younger children will find a kindred spirit in Bean, who exists in some kind of state of grace, whether trying to digest a disgusting seafood dinner or hilariously lip-syncing to an opera in a public square. --Donald Liebenson

FELICIA'S JOURNEY ORIGINAL MOVIE POSTER

• VIDEO 27X41 NEW
• DESCRIPTION:  Authentic original (or specified high quality reproduction) one-sheet movie poster.
• SIZE: Approx 27x40 inches unless otherwise stated.

Young, pregnant, unmarried, and penniless, Felicia leaves her Irish hometown to search for her boyfriend in the English Midlands, only to fall in with the obese, fiftyish Mr. Hilditch, in a tale of psychological suspense. Reprint. Winner of the Whitbread Fiction & Sunday Express Prizes. NYT. Felicia's Journey is a simple tale told with a subtle complexity. Felicia is an Irish country girl who has come to England to look for her jilted lover. Hilditch is a mild-mannered, gentle psychopath who lures the helpless Felicia into his trap. Interestingly, we see the story from each character's eyes when they are separate, but from Hilditch's view when they are together. It is an unusual and ef! fective device that distorts the perspective and adds texture to a classic story. Trevor won a Whitbread Prize in 1994 for Felicia's Journey.A moving and chilling portrait of a serial killer who befriends innocent young women in need only to turn them into his victims. Felicia is the latest of his prospects to fall into the grasp of his deceptive charm. Special features: commentary with director atom egoyan theatrical trailer and much more. Studio: Lions Gate Home Ent. Release Date: 05/22/2007 Starring: Bob Hoskins Elaine Cassidy Run time: 111 minutes Rating: Pg13 Director: Atom EgoyanLike Hitchcock, Atom Egoyan envisions family life as a potential hotbed of literal or figurative violence and incest. In Felicia's Journey, Egoyan's adaptation of William Trevor's shattering novel, one dreads to imagine what TV-cook mom (Arsinée Khanjian) did to so damage her pudgy son that grown- up Hilditch (Bob Hoskins) still prepares meals in perfect unison with ! faded videotapes of her show--and, as we eventually discover,! often t akes more sinister trips down Memory Lane. Distant kin to Psycho's Tony Perkins, Hoskins's troll is so obsessive, so traumatized, his every short-armed, fat-handed gesture and sing-song utterance is precisely calculated to keep reality safely buried.

Egoyan's movies often seem located underwater, in some surreal dreamscape where one's breath is perpetually suspended while a slow horror seeps ever deeper under the skin. Helpless, transfixed, one watches as his characters drive inexorably toward mined intersections where lives and souls may be lost or redeemed. When Hilditch's path crosses, diverges from, and finally coincides with that of young, pregnant Felicia (Elaine Cassidy)--an Irish innocent searching for her errant boyfriend--it leads to terrible epiphany for these fellow travelers. Trouble is, creepy Hilditch and too-naive Felicia come up a bit short in the psychological complexity department, so by film's end, revelatory payoffs are mostly penn! y ante. Felica's Journey tours familiar Egoyan territory--an industrialized wasteland full of hungry hearts--but this latest fairy tale (think perverse variations on Hansel and Gretel) isn't in the same league with such "family values" masterpieces as Exotica or The Sweet Hereafter. --Kathleen MurphyEver wonder what it's like to perform in a megahit musical (when you have little idea what you're doing)? From her audition to closing night -- to every moment in between -- Felicia takes you behind the scenes of her first professional show (ever!) as she understudies the lead character of Elphaba in Wicked's San Francisco company.

As she leaps professional hurdles, she faces personal challenges as well: falling in love after heartbreak (with a spatula-wielding muscle hunk), living far away from home (in the worst neighborhood of all time), confronting her overachiever demons (and an all-consuming fear of failure), and learning, ti! me and again, what it means to be green.

Hop into the ! mind of a total newbie as she gazes at professional theater's Man Behind the Curtain, in all his naked glory. Who could look away?Like Hitchcock, Atom Egoyan envisions family life as a potential hotbed of literal or figurative violence and incest. In Felicia's Journey, Egoyan's adaptation of William Trevor's shattering novel, one dreads to imagine what TV-cook mom (Arsinée Khanjian) did to so damage her pudgy son that grown- up Hilditch (Bob Hoskins) still prepares meals in perfect unison with faded videotapes of her show--and, as we eventually discover, often takes more sinister trips down Memory Lane. Distant kin to Psycho's Tony Perkins, Hoskins's troll is so obsessive, so traumatized, his every short-armed, fat-handed gesture and sing-song utterance is precisely calculated to keep reality safely buried.

Egoyan's movies often seem located underwater, in some surreal dreamscape where one's breath is perpetually suspended while a slow horror seeps ever! deeper under the skin. Helpless, transfixed, one watches as his characters drive inexorably toward mined intersections where lives and souls may be lost or redeemed. When Hilditch's path crosses, diverges from, and finally coincides with that of young, pregnant Felicia (Elaine Cassidy)--an Irish innocent searching for her errant boyfriend--it leads to terrible epiphany for these fellow travelers. Trouble is, creepy Hilditch and too-naive Felicia come up a bit short in the psychological complexity department, so by film's end, revelatory payoffs are mostly penny ante. Felica's Journey tours familiar Egoyan territory--an industrialized wasteland full of hungry hearts--but this latest fairy tale (think perverse variations on Hansel and Gretel) isn't in the same league with such "family values" masterpieces as Exotica or The Sweet Hereafter. --Kathleen MurphyDanna offers a strange experiment on this score to Atom Egoyan's wistful and sinis! ter film. He combines his familiar Celtic dirges, the nail-gra! ting vio lins associated with Bartók, and some scattered traces of evil, backward-looping noises. Danna also (probably inadvertently) forges an under-explored link between New Age and the easy-listening style once referred to as "Beautiful Music." Oddly, the most intriguing elements are the reverberant Mantovani-style strings, none of which is Danna's own creation. He instead takes them directly from old and uncredited archival library recordings. Still, there are some interesting moments, as heavenly and sentimental moods fuse with the dark and foreboding. Included are two songs by crooner Malcolm Vaughan and a brief a-capella rendition of "My Special Angel" by the film's star, Bob Hoskins (!). --Joseph Lanza PRODUCT DESCRIPTION: At Moviestore we have an unbeatable range of both original and classic high quality reproduction movie posters. Movie poster art is a wonderful collectible item and great for home or office decor. We have been in business for 16 years so you can bu! y with confidence. Our guarantee - if you are not fully satisfied with your purchase from Moviestore we will gladly refund your money.