Selasa, 08 November 2011

Dan in Real Life

  • Steve Carell (THE 40-YEAR-OLD VIRGIN, TV's THE OFFICE), Hollywood's leading funnyman, stars in the hilarious comedy that's bursting with charm -- a movie you'll watch again and again. Advice columnist Dan Burns (Carell) is an expert on relationships, but somehow struggles to succeed as a brother, a son and a single parent to three precocious daughters. Things get even more complica
n/aSteve Carell’s best film performance to date can be found in the fitfully engaging Dan In Real Life, where his long-suffering persona suits a character who lets his long-dormant hopes rise for a moment, only to be shot down again. Carell plays Dan Burns, a newspaper columnist who writes about family issues and relationships. As a widower with three growing girls to raise, however, the difference between Dan’s printed wisdom and his struggles with fatherhood and loneliness is often vast. He’s put to ! a severe test when he packs up the kids for a cabin holiday with his parents and siblings, then falls for the exotic, if elusive, Marie (Juliette Binoche) during a solo excursion to a bookstore. Stirred by a woman for the first time since his late wife, Dan is shocked to find that Marie is actually dating his brother Mitch (Dane Cook), and that she’ll be spending the vacation with him in the midst of his family. From that point, the script, co-written by director Peter Hedges (Pieces of April), pretty much becomes a parade of difficult circumstances under which both Dan and Marie have to keep their attraction to one another secret. Certain scenes work better than others, but there is an overall monotony to the movie that isn’t helped by a lack of onscreen chemistry between Binoche and Carell. Both actors are fine on their own terms, but whatever is supposed to be clicking between Marie and Dan isn’t compelling enough to make one truly care that they get togethe! r somehow. Still, this is a film with plenty of moments to lik! e, espec ially when Carell gets to broaden his previous range of emotions in a movie. --Tom Keogh

Face Off

  • * Widescreen Version. Special Features include:
  • * Commentaries by Director John Woo and Writers Mike Werb and Michael Colleary
  • * 7 Deleted Scenes - Including an Alternate Ending (with Optional Commentary)
  • * English DTS 6.1 * English Dolby Digital 5.1 Surround EX * French 2.0 Surround
  • * Languages - English, French. * Subtitles - English, French, Spanish.
Studio: Paramount Home Video Release Date: 08/17/2010 Run time: 140 minutes Rating: RAt his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fiction plastic surgery--and creates a double-barreled revenge film driven by! the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama a! nd mayhem ups the ante from cops-and-robbers clichés to a con! flict of near-mythic levels. --Sean AxmakerAt his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fiction plastic surgery--and creates a double-barreled revenge film driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man! who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic levels. --Sean AxmakerStudio: Paramount Home Video Release Date: 12/09/2008At his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fict! ion plastic surgery--and creates a double-barreled revenge fil! m driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama! and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic levels. --Sean Axmaker

Garmin Portable Friction Mount - Frustration Free Packaging

  • Ships in Amazon Frustration-Free Packaging
  • Four-arm shape conforms to your dashboard
  • Attachment arm connects directly to your GPS
  • Compatible with nüvi series GPS navigators and StreetPilot C5XX series
  • One-year limited warranty

A wheel turns because of its encounter with the surface of the road; spinning in the air it goes nowhere. Rubbing two sticks together produces heat and light; one stick alone is just a stick. In both cases, it is friction that produces movement, action, effect. Challenging the widespread view that globalization invariably signifies a "clash" of cultures, anthropologist Anna Tsing here develops friction in its place as a metaphor for the diverse and conflicting social interactions that make up our contemporary world.

She focuses on one particular "zone of awkward engagement"--the rainforests of Indonesia--where in the 1980s and ! the 1990s capitalist interests increasingly reshaped the landscape not so much through corporate design as through awkward chains of legal and illegal entrepreneurs that wrested the land from previous claimants, creating resources for distant markets. In response, environmental movements arose to defend the rainforests and the communities of people who live in them. Not confined to a village, a province, or a nation, the social drama of the Indonesian rainforest includes local and national environmentalists, international science, North American investors, advocates for Brazilian rubber tappers, UN funding agencies, mountaineers, village elders, and urban students, among others--all combining in unpredictable, messy misunderstandings, but misunderstandings that sometimes work out.

Providing a portfolio of methods to study global interconnections, Tsing shows how curious and creative cultural differences are in the grip of worldly encounter, and how much is overlooked ! in contemporary theories of the global.

From friendly dolph! ins to g iant pandas, from icebergs and glaciers to energy from the sun, from magnets to solids, liquids, and gases, Rookie Read-About Science is a natural addition to the primary-grade classroom with books that cover every part of the science curricula. Includes: animals, nature, scientific principles, the environment, weather, and much more!

For five years, Friction has been providing readers with the best gay erotic fiction published each year. Now we bring together the best stories from this monumental series into one volume.

Jesse Grant is a writer and editor. He edited Men for All Seasons and has been the co-editor of the Friction series since the second volume.

Simon is the coolest teacher anywhere. Forest Alternative is lucky to have him. When Stacy arrives -- a new kid with secrets, gleaming hair, and a tongue ring -- she sizes up Simon and agrees, adding: "He is a total babe." True. What Stacy says later about Alex and Simon ! after the class overnight camp out is not true, but "looks" as if it could be. Alex herself begins to wonder what's real, what's not. But she can't confide in her parents. They'd freak. And, after all, she does love Simon. Listening to Stacy though, everyone else is totally suckered -- most painfully Alex's best buddy and sort-of boyfriend, Tim. "Why were you hugging him?" Tim wants to know, and it's hard to explain. Simon did "not" do what Stacy claims! Did he? Could he? At age twelve the truth seems hopelessly complicated. And it gets even more so after Alex makes a surprise visit to Stacy's house. There, she finds out the answer to one terrible question, only to discover another, far worse.Most well-known for her devastatingly poignant teen tales of urban desperation and redemption, renowned young adult author E. R. Frank switches gears and narrows her focus to the pivotal events of one 8th grade classroom. The progressive petri dish of Forest Alternative’s middl! e school is stirred the wrong way when sophisticated, tongue-r! inged St acy makes the scene. Almost immediately, Stacy takes advantage of the school’s relaxed and experimental atmosphere to start a little excitement. For reasons known only to herself, she begins to insinuate that Simon, the 8th grade‘s idealistic, good-looking young teacher, is in love with Alex, Friction’s mild mannered first person narrator. Embarrassed and infuriated, Alex tries to squelch the gossip, but only manages to make herself look more guilty to her classmates. When she finally confronts Stacy, Alex is horrified when Stacy tearfully admits that the reason she’s been spreading the rumors is to draw attention away from the fact that Simon is actually molesting her. Confused and half caught up in Stacy’s stories herself, Alex makes the mistake of trusting her shifting feelings instead of what she knows to be true, irreparably harming her admired teacher in the process. Friction is a provocative, deadly accurate portrayal of puberty, in all its manipu! lative, perplexing, unmanageable glory. Alex’s quest to discover the definition of truth is a journey every teenager makes, and teen readers of Friction will take great comfort in the fact that a trusted author, who clearly hasn’t forgotten adolescence herself, is helping to chart the path. (Ages 12 to 15) --Jennifer HubertShips in Amazon Frustration-Free Packaging Four-arm shape conforms to your dashboard Attachment arm connects directly to your GPS Compatible with nvi series GPS navigators and StreetPilot C5XX series One-year limited warrantyGarmin and Amazon.com have teamed up to offer this item in Amazon Frustration-Free Packaging, a recyclable, easy-to-open alternative to traditional packaging. Products in Frustration-Free Packaging are exactly the same--we've just streamlined the packaging. A Frustration-Free Package comes without wire ties, hard plastic "clamshell" casings, and plastic bindings. It's designed to be opened without the use of a box cu! tter or knife and will protect your product just as well as tr! aditiona l packaging. This item ships in its own box, without the need for an additional shipping box. Learn more about Frustration-Free Packaging.

Keep your nüvi in place with this portable friction mount. It'll keep everything in plain sight when you need it and out of the way when you don't. The arm attachment connects directly to your GPS device, and once you've adjusted it to your liking, locks into place. Avoid the "wing around the windshield" syndrome that accompanies windshield mounts.

Perfect for locales where window-mounting is prohibited or those who simply prefer a quick way to mount/unmount their nüvi/StreetPilot device.

See the difference

Traditional clamshell packaging. Click to enlarge.

Traditional clamshell packaging. Click to enlarge.

!




Amazon frustration-free packing. Click to enlarge.

Compatible Garmin Models

  • aera 500, 510, 550, 560
  • nüvi 1200, 1250, 1260T, 1300, 1350, 1350T, 1370T, 1390T, 1450, 1490T, 1690, 200, 200W, 205, 205W, 250, 250W, 255, 255W, 260, 260W, 265T, 265WT, 270, 275T, 285WT, 350, 360, 370, 465T, 500, 5000, 550, 600, 610, 650, 660, 670, 680, 750, 755T, 760, 765T, 770, 775T, 780, 785T, 850, 855, 880, 885T
  • StreetPilot c510, c530, c550, c580, i2, i3, i5
  • zÅ«mo 660

What's in the Box
Dashboard mount, arm attachment, and owner's manual


Four Film Favorites: Final Destination Collection (Final Destination / Final Destination 2 / Final Destination 3 / The Final Destination)

  • FINAL DESTINATIONAfter an eerie premonition leads a handful of passengers to disembark an ill-fated flight, Death with all its ingenious contraptions of doom at the ready stalks those survivors (Devon Sawa, Ali Larter, Kerr Smith and more) one by one in the gory, gleeful shocker that launched the fright-filled film series. Final Destination: the start of it all! INCLUDES: Widescreen Version [16x9
Final Destination, Final Destination 2, Final Destination 3, and The Final Destination (2009) FINAL DESTINATION INCLUDES: • Widescreen Version [16x9 1.85:1] • Director/Writers/Editor Commentary • Cast Commentary • 5.1 Isolated Score Audio Track with Commentary by Composer Shirley Walker • Additional Scenes and Alternate Endings • 2 Featurettes: Test Screenings and Premonitions • 2 Games: Death Clock and Psychic Test • Theatrical Trailer • Subtitles: English (Main Feature.Bonus Mater! ial/Trailer May Not Be Subtitled.). FINAL DESTINATION 2 INCLUDES: • Widescreen Version [16x9 1.85:1] • Director/Producer/Screenwriters Commentary • Deleted/Alternate Scenes • Selectable Fact Track with Intriguing Making-of Factoids â€" All As You Watch the Movie • 3 Featurettes The Terror Gauge, Cheating Death: Beyond and Back and Bits & Pieces: Bringing Death to Life • Theatrical Trailer • Subtitles: English (Main Feature.Bonus Material/Trailer May Not Be Subtitled.). FINAL DESTINATION 3 INCLUDES: • Widescreen Version [16x9 2.4:1] • Enjoy 2 Editions of the Film: Original Theatrical Movie and the Choose Their Fate! Version Where You Control the Characters’ Outcomes • Director/Writers/Cinematographer Commentary • Subtitles: English & Español (Main Feature.Bonus Material/Trailer May Not Be Subtitled.). THE FINAL DESTINATION INCLUDES: • Widescreen Version [16x9 2.4:1] • Additional Scenes • Subtitles: English & Español (Main Feature. Bonus Materi! al/Trailer May Not Be Subtitled).

District B13/District 13: Ultimatum 2-Pack [Blu-ray]

Casino Royale (Two-Disc Collector's Edition + BD Live) [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Collector's Edition; Color; Dolby; Dubbed; Subtitled; Widescreen
Casino Royale introduces JAMES BOND before he holds his license to kill. But Bond is no less dangerous, and with two professional assassinations in quick succession, he is elevated to "00" status. "M" (Judi Dench), head of the British Secret Service, sends the newly-promoted 007 on his first mission that takes him to Madagascar, the Bahamas and eventually leads him to Montenegro to face Le Chiffre, a ruthless financier under threat from his terrorist clientele, who is attempting to restore his funds in a high-stakes poker game at the Casino Royale. "M" places Bond under the watchful eye of the Treasury official Vesper Lynd. At first skeptical of what value Vesper can provide, Bond's interest in her deepens as they brave danger together. Le Chiffre's cunning and cruelt! y come to bear on them both in a way Bond could never imagine, and he learns his most important lesson: Trust no one.The most successful invigoration of a cinematic franchise since Batman Begins, Casino Royale offers a new Bond identity. Based on the Ian Fleming novel that introduced Agent 007 into a Cold War world, Casino Royale is the most brutal and viscerally exciting James Bond film since Sean Connery left Her Majesty's Secret Service. Meet the new Bond; not the same as the old Bond. Daniel Craig gives a galvanizing performance as the freshly minted double-0 agent. Suave, yes, but also a "blunt instrument," reckless, and possessed with an ego that compromises his judgment during his first mission to root out the mastermind behind an operation that funds international terrorists. In classic Bond film tradition, his global itinerary takes him to far-flung locales, including Uganda, Madagascar, the Bahamas (that's more like it), and Montenegro, where he is p! itted against his nemesis in a poker game, with hundreds of mi! llions i n the pot. The stakes get even higher when Bond lets down his "armor" and falls in love with Vesper (Eva Green), the ravishing banker's representative fronting him the money.


For longtime fans of the franchise, Casino Royale offers some retro kicks. Bond wins his iconic Astin-Martin at the gaming table, and when a bartender asks if he wants his martini "shaken or stirred," he disdainfully replies, "Do I look like I give a damn?" There's no Moneypenny or "Q," but Dame Judi Dench is back as the exasperated M, who one senses, admires Bond's "bloody cheek." A Bond film is only as good as its villain, and Mads Mikkelsen as Le Chiffre, who weeps blood, is a siniste! r dandy. From its punishing violence and virtuoso action sequences to its romance, Casino Royale is a Bond film that, in the words of one character, makes you feel it, particularly during an excruciating torture sequence. Double-0s, Bond observes early on, "have a short life expectancy." But with Craig, there is new life in the old franchise yet, as well as genuine anticipation for the next one when, at last, the signature James Bond theme kicks in following the best last line ever in any Bond film. To quote Goldie Hawn in Private Benjamin, now I know what I've been faking all these years. --Donald Liebenson

Stills from Casino Royale (click for larger image)










Frequency : Widescreen Edition

  • Widescreen
A phenomenon allows police officer John Sullivan (Jim Caviezel) to save the life of his long-dead father (Dennis Quaid). But changing the past leads to a string of brutal, serial homicides. Now, they both must race across time to stop the killer.

DVD Features:
Audio Commentary
Music Only Track
Photo gallery
Theatrical Trailer

Frequency is really two different--though inextricably linked--movies. First, the emotional drama of a father and son reunited after 30 years of separation. Then there's a science fiction thriller, in which a couple of chance solar storms, occurring exactly 30 years apart, can provide the agency through which the father and son can communicate using the very same ham radio in parallel time frames of 1969 and 1999. The son is John Sullivan (Jim Caviezel), a cop, and his father is Frank (Dennis Quaid! ), a firefighter who died on the job when John was 6, which just happens to be tomorrow for Frank when he and his now-adult son begin talking across time. This is great for John, because now he can warn his dad about the upcoming fire and avert the catastrophe that left him fatherless for most of his life. Accomplishing this gives John new memories of his life with Dad, but unfortunately alters the course of a serial killer, with tragic effect on John's family history. Since John's a cop, and the case he's working on turns out to be the same unsolved case from 30 years before, he and his father work together over the ham radio to solve the case and hopefully avert the tragedy that befell their family.

Time-travel stories have always been problematic, demanding either an extra degree of credulity on the part of the audience or an extra level of explanation on the part of storytellers, which is invariably cumbersome. Frequency handles the troublesome time parado! xes by having John explain how, having altered his past, he no! w experi ences both timelines, as if he's had two pasts that converge in his present. And as changes continue to be wrought in John's past, we see him becoming more and more confused. No doubt the audience can sympathize, at least those of us who try to follow the ramifications of the rapidly accruing time fractures. Luckily, the bond between father and son is so strongly realized in the deeply felt performances of both Caviezel and Quaid that you don't even need to consider the science fiction elements in order to enjoy the film. But if you can suspend your disbelief long enough to allow for the possibility of time shifts, you'll have a far richer experience. --Jim GayIn this fantasy thriller, a man is given an unusual opportunity to change the past and alter his future. A man whose father died 30 years ago when he was just a boy, makes a startling discovery when working with his ham radio one night: he can speak with his late father over the radio. Having inadvertently found a way to reach into the past, the man desperately struggles to warn his father of the dangers that will come his way, in hopes of changing his tragic fate.Because we see the world from a physical perspective, we often don't notice what's right in front of us â€" that our spirit, thoughts, emotions, and body are all made of energy. Inside us and everywhere around us, life is vibrating. In fact, each of us has a personal vibration that accurately communicates who we are to the world and helps shape our reality. Frequency shows readers how to feel their personal vibration, improve it, and use it to shift their life from ordinary to extraordinary. A simple shift in frequency can change depression to peace, anger to stillness, and fear to enthusiasm.

Weaving together basic ideas from quantum physics with proven intuition development techniques, Frequency takes readers into deeper concepts only hinted at in recent popular books and DVD's featuring the Law of Attraction. By learning to refine the "conscious sensitivity" of their body, readers can improve relationships, find upscale solutions to probl! ems, and materialize a life that contains everything they want and need to live their destiny.

Frequency gives readers a reassuring, step-by-step roadmap into a positive state of awareness that Peirce calls The Intuition Age. By learning to use "frequency principles" â€" methods based on the way energy actually functions â€" readers can keep their energy level high and productive, receive subtle information directly from the environment via "empathic resonance," and quickly free themselves from negative or low "vibrations."DVD Features:
Audio Commentary
Biographies
Documentaries
Interviews
Photo gallery

A renowned intuitive and visionary shows you how to know what you need to know just when you need to know it.

Intuition is not a rare gift that only a gifted few possess but an innate human capacity that can be enhanced and developed. Synthesizing insights from psychology, East- West philosop! hy, religion, metaphysics, and business, this hands-on workboo! k in the tradition of Julia Cameron’s The Artist’s Way, can teach anyone to achieve a heightened state of perceptual vitality and integrate it into daily life. Intuition, writes Penney Peirce, is “not the opposite of logic,” but rather “a comprehensive way of knowing life that includes both left-brain analytical thinking and right-brain communication states.” On a practical level, intuition enables us to learn faster and make quicker, more inspired decisions. On a deeper level, it “is a powerful tool that can heal the painful split we all feel between our earthly, mundane selves and our divine, eternal selves.” Widely praised in its earlier editions, this new edition of The Intuitive Way, with a Foreword by Carol Adrienne, will introduce Penney Peirce’s pioneering work to a whole new readership.DVD

Hotel Atlantico - Movie Poster - 27 x 40 Inch (69 x 102 cm)

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