Kamis, 10 November 2011

Bruce Almighty (Widescreen Edition)

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Movie DVDEvan Almighty is a comedy for all ages that "you don't want to miss" (Kim Griffis, NBC-TV)!

Everyone's favorite funnyman Steve Carell is at his hilarious best as junior congressman Evan Baxter, whose wish to "change the world" is heard by none other than God (Academy Award winner Morgan Freeman). When God appears with the perplexing request to build an ark, Evan is sure he is losing it. But soon mysterious deliveries of wood and tools are being dropped on his doorstep, animals of every shape and size are flocking to him two by two, and his self-absorbed life goes from overnight success to almighty mess! It's a great time for everyone!

Steve Carell rides the wave of 40-Year-Old Virgin stardom (and a biblical flood) in this bizarre, effects-heavy comedy about a modern-day Noah's ark. The film is nominally a sequel to Bruce Almighty, although it bears litt! le relation to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freeman, who returns in his role as God. Even Carell's character is much altered from his supporting part in the first film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and prepare for an impending inundation, Evan sheepishly takes on the task (it's hard to turn down the job when your hair and beard grow to Old Testament lengths and God wants you to walk around in sackcloth).

Carell gets to do silly dances and mix it up with a variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although the religio-environmental message-mongering makes this a most curious kind of Hollywood blockbuster. When the flood comes, the film shifts into a mammoth-sized CGI extravaganza, recalling t! he era of overstuffed techno-comedies such as 1941 and ! Howar d the Duck (and not to be nit-picky, but the tsunami-like disaster that overtakes Washington, D.C., looks as though it would snuff out the lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Carell is even better at being sincere than being funny, a talent that comes in handy here and bodes well for his future versatility. --Robert Horton

Universal Evan Almighty - HD-DVD/DVD ComboFunnyman SteveCarell is at his hilarious best when his simple wish to change the world turns into a baffling request from God (Morgan Freeman) and turns his seemingly perfect life upside down. With the help of hisfamily and a comical cast of animals, Evan's unbelievable adventure leads to laugh-out-loud hilarity.Steve Carell rides the wave of 40-Year-Old Virgin stardom (and a biblical flood) in this bizarre, ! effects-heavy comedy about a modern-day Noah's ark. The film is nominally a sequel to Bruce Almighty, although it bears little relation to the 2003 Jim Carrey hit--except for the divine intervention of Morgan Freeman, who returns in his role as God. Even Carell's character is much altered from his supporting part in the first film; here, Evan Baxter says goodbye to the news-anchoring business in favor of his job as a naive freshman congressman. When God orders him to build an ark and prepare for an impending inundation, Evan sheepishly takes on the task (it's hard to turn down the job when your hair and beard grow to Old Testament lengths and God wants you to walk around in sackcloth).

Carell gets to do silly dances and mix it up with a variety of animals (real and computer-generated), all of which reminds us of the film's family-friendly tone and the PG rating. The kid stuff works just fine, although the religio-environmental message-mongering makes this a most ! curious kind of Hollywood blockbuster. When the flood comes, t! he film shifts into a mammoth-sized CGI extravaganza, recalling the era of overstuffed techno-comedies such as 1941 and Howard the Duck (and not to be nit-picky, but the tsunami-like disaster that overtakes Washington, D.C., looks as though it would snuff out the lives of quite a few citizens). Capable comic support comes from John Michael Higgins, Wanda Sykes, and Jonah Hill, with John Goodman and Lauren Graham filling out stock roles of fatcat politico and loyal wife, respectively. Carell is even better at being sincere than being funny, a talent that comes in handy here and bodes well for his future versatility. --Robert HortonDVDBestowing Jim Carrey with godlike powers is a ripe recipe for comedy, and Bruce Almighty delivers the laughs that Carrey's mainstream fans prefer. The high-concept premise finds Carrey playing Bruce Nolan, a frustrated Buffalo TV reporter, stuck doing puff-pieces while a lesser colleague (the hilarious Steven Carell) gets the ! anchor job he covets. Bruce demands an explanation from God, who pays him a visit (in the serene form of Morgan Freeman) and lets Bruce take over while he takes a brief vacation. What does a petty, angry guy do when he's God? That's where Carrey has a field day, reuniting with his Ace Ventura and Liar, Liar director, Tom Shadyac, while Jennifer Aniston gamely keeps pace as Bruce's put-upon fiancée. Carrey's actually funnier before he becomes Him, and the movie delivers a sappy, safely diluted notion of faith that lacks the sincerity of the 1977 hit Oh, God! Still, we can be thankful that Carrey took the high road and left Little Nicky to Adam Sandler. --Jeff Shannon

Brady 81843 18" Width x 7" Height B-523 High Intensity Self Sticking Polyester, Glow-In-The Dark Safety "Exit to Street" Guidance Sign (Pack of 10)

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Welcome to the Blues and mystery of Dark Streets. Chaz Davenport (Gabriel Mann) is a dashing playboy who has it all: a hot nightclub, two glamorous singers (Bijou Phillips, Izabella Miko) and the most seductive music ever created playing from his stage. But when he enlists help to look into the sinister circumstances surrounding his father's death, Davenport's life spirals out of control. Dark, sexy and sensuous, this music-driven journey smolders with a smoking hot score and a soundtrack that includes 9 original songs with vocal performances by Solomon Burke, Natalie Cole, Etta James, Dr. John, Aaron Neville, Bijou Phillips, Richie Sambora, Toledo and More!Acclaimed soundtrack to the motion picture "Dark Streets"

This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

After an FBI agent is shot, his f! riend must handle the caseload and avenge his death.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

This disc is expected to play back in DVD Video \"play only\" devices, and may not play in other DVD devices, including recorders and PC drives.

Days after the Japanese attack on Pearl Harbor, British Prime Minister Winston Churchill and U.S. President Franklin D. Roosevelt met at the White House. It was Christmas Eve, 1941. As war raged throughout the world, the two leaders delivered a powerful message that still resonates today. Bestselling author and historian David McCullough relates a compelling story about the spirit of Christmas and the power of light in difficult, dangerous times. Beautifully designed with historic photographs that transport readers to the early days of World War II Includes a DVD of David McCullough s presentation of this story at the Mormon Tabernacle Choi! r s 2009 Christmas concert, to be featured nationally on PBSRe! ceive In the Dark Streets Shineth for $7.99 when you purchase David McCullough’s new book The Greater Journey: Americans in Paris. Simply add both titles to your cart and the discount will be applied automatically.

Christmas Eve, 1941. Mere days after the Japanese attack on Pearl Harbor, British Prime Minister Winston Churchill and U.S. President Franklin D. Roosevelt met at the White House. As war raged throughout the world, the two leaders delivered a powerful message of hope that still resonates today.

Bestselling author and renowned historian David McCullough relates a compelling story about the spirit of Christmas and the power of light to shine in difficult, dangerous times. Also sharing the stories behind the songs "O Little Town of Bethlehem" and "I'll Be Home for Christmas," this beautifully designed book is filled with historic photographs and uplifting messages that will bring the Christmas spirit home to your family.

In the Dark Streets! Shineth also includes a DVD of David McCullough's presentation of this story at the Mormon Tabernacle Choir's 2009 Christmas concert.Receive In the Dark Streets Shineth for $7.99 when you purchase David McCullough’s new book The Greater Journey: Americans in Paris. Simply add both titles to your cart and the discount will be applied automatically.

Christmas Eve, 1941. Mere days after the Japanese attack on Pearl Harbor, British Prime Minister Winston Churchill and U.S. President Franklin D. Roosevelt met at the White House. As war raged throughout the world, the two leaders delivered a powerful message of hope that still resonates today.

Bestselling author and renowned historian David McCullough relates a compelling story about the spirit of Christmas and the power of light to shine in difficult, dangerous times. Also sharing the stories behind the songs "O Little Town of Bethlehem" and "I'll Be Home for Christmas," this beautifully designed book is filled ! with historic photographs and uplifting messages that will bri! ng the C hristmas spirit home to your family.

In the Dark Streets Shineth also includes a DVD of David McCullough's presentation of this story at the Mormon Tabernacle Choir's 2009 Christmas concert.Exit to street signs mark intermediate exit doors leading to a street level lobby. BradyGlo photoluminescent signs provide a bright, long-lasting afterglow during a lights-out evacuation. Maximum charge is achieved in two hours with 2 foot-candles of bright white light. Brady B-523 BradyGlo high intensity laminate is a glow-in-the-dark (photoluminescent) polyester film coated with an aggressive pressure sensitive adhesive. Brady B-523 BradyGlo high intensity laminate is designed to provide high adhesion and luminance for egress marking in low light areas in and along stairwells of public buildings as required by the city of New York. Complies with all indoor use requirements specified in RS 6-1 and 6-1A of New York local law 26 including photoluminescence, washability, flammability! , toxic gas generation, and radioactivity. Brady B-523 is a non-toxic, non-radioactive, explosion safe (does not generate energy to induce explosions) material allowing for safe and effective egress marking. With nearly 150 different options for exit signs. Brady has a wide range of egress signage products to help you mark the location of your facility's exits, including photoluminescent exit signs (glow-in-the-dark exit signs), LED exit signs, directional exit signs, and other exit signage. Brady also offers exit signs with combination lighting and emergency floodlights, as well as exit markings with safety and egress instructions.

Jersey Girl

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THE VIOLENT STORY ABOUT HOW A CRIMINAL LESBIAN, A TOUGH-GUY HIT-MAN WITH A HEART OF GOLD, AND A RETARD CAME TO BE BESTFRIENDS THROUGH A HOSTAGE.Many critics called Gigli one of the worst movies ever made, but their condemnation isn't entirely justified. The movie's got plenty of problems, such as inconsistent tone, gag-inducing dialogue, and a meandering plot that fails to generate momentum over 124 minutes. And yet, this character-based vehicle for Hollywood sweethearts Ben Affleck and Jennifer Lopez is not without its charms: To begin with, there's J-Lo, whose beauty and presence flourish despite her ill-conceived role as a lesbian contract killer. Critics were also wrong in saying Lopez lacks on-screen chemistry with her off-screen beau; there are moments when they click,! but director Martin Brest's screenplay maintains sexual confusion right up to an ending that's a total cop-out. Affleck (who did the lesbian-love thing in Chasing Amy) plays another good-natured killer, and their joint kidnapping job (involving the mentally disabled brother of a federal prosecutor) is destined to fail for all the right reasons, even as this anti-romantic comedy (featuring scenery-chewing cameos by Christopher Walken and Al Pacino) fails for all the wrong ones. --Jeff ShannonBeniamino Gigli was the most popular and successful Italian tenor in the first half of the 20th century. Acclaimed as the second Caruso, he was a great popular favourite both on the operatic stage and the concert platform from his debut in 1914 to his retirement in 1955.

Gigli recorded extensively for HMV (now EMI) and his records were among the company's best sellers for many years.

This ICON set covers the whole of Gigli's recording career, starting with his ve! ry first records made in Milan in October and November 1918 to! his far ewell concert at Carnegie Hall, New York, in April 1955.

The programme begins with some of Gigli's early 78 rpm records of operatic arias, duets and ensembles, made up to the middle of the 1930s. Then come extracts from the recordings of complete operas that Gigli made from 1934 onwards, starting with highlights from one of his most famous roles, the tragic clown Canio in Pagliacci by Leoncavallo.

Then come further extracts from Gigli's famous complete recordings of La Bohème, Tosca, Madama Butterfly, Cavalleria rusticana, Andrea Chénier and Un ballo in maschera, followed by more solo recordings from 1940 onwards, climaxing with a spectacular `Nessun dorma' made in 1949.

Gigli's honeyed tone and his ability to infuse his singing with a great deal of light and shade made him a perfect interpreter of songs, including Neapolitan and Italian popular songs as well as classic ballads. CDs 5 and 6 present a wide selection of this repertoire including such popular ti! tles as `'O sole mio', `La danza', `Mattinata' and `La paloma'.

The final CD begins with some of Gigli's last recordings of popular songs, including the delightful `Papaveri e papere' (`Poppies and ducks') and ends with a live recording of Gigli's farewell concert to an adoring audience at Carnegie Hall, New York, in April 1955 that includes a generous selection of operatic arias and songs from his extensive repertoire.Hollywood favorites Ben Affleck (DAREDEVIL, PAYCHECK, THE SUM OF ALL FEARS) and Liv Tyler (LORD OF THE RINGS trilogy, ARMAGEDDON) shine in this heartwarming all-star comedy about a guy who thinks he's lost it all only to discover he's got everything he needs! Ollie (Affleck) is a smooth and successful big-city publicist who has the life he's always wanted -- until things take an unexpected turn and he finds himself an unemployed single father back living with his dad in the suburbs. But just when he thinks his life has hit rock bottom, a sexy, no-nonsense! video store clerk (Tyler) enters his life and shows Ollie tha! t someti mes you have to forget who you thought you were and acknowledge what really makes you happy. Also starring Jason Biggs (AMERICAN PIE) -- director Kevin Smith (JAY AND SILENT BOB STRIKE BACK) has delivered another hit critics are calling one of the year's funniest!Jersey Girl stars Ben Affleck as a workaholic music executive who loses his wife (Jennifer Lopez) in childbirth and has to raise his newborn daughter with the help of his crotchety New Jersey dad (George Carlin). The movie unspools as if writer-director Kevin Smith, normally a highly self-aware filmmaker (Clerks, Chasing Amy, Dogma), set out to put a fresh spin on every cliché he could imagine (parent forced to choose between child and career; parent rushing to attend school performance; etc.)--then forgot to put in the spin. The scenes that aren't lifeless are implausible (Liv Tyler plays the fantasy girl of every awkward boy's dreams). The only real feeling comes from the strong soundt! rack. However, Raquel Castro, as the daughter, is an uncanny double for Lopez; when the light plays across Castro's cheekbones just so, you'd swear the casting director simply shrunk Lopez for convenience. --Bret Fetzer

How to lose friends and alienate people ~ MOVIE POSTER 11"x 17"

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HOW TO LOSE FRIENDS AND ALIENATE PEOP - DVD MovieHow to Lose Friends and Alienate People may just be the first true British film--and a splendid one at that--to be set on American soil. The fearless actor Simon Pegg plays Sidney Young, a Fleet Street hatchet writer tapped to come to the States to join the literati, and glitterati, at a big, fat, glossy magazine--every resemblance of which to Vanity Fair is strictly intentional. Sidney is possibly the most annoying man in the Western world, tilting at nonexistent windmills. His character calls to mind many of the hapless charmers played by Hugh Grant--but Pegg, without Grant's raffish good looks, comes across as simply hapless. Which is perfect casting, since Sidney is supposed to be enormously aggravating, especia! lly when he first lands in New York. In his first few days in the city, Sidney puts off the first magazine colleague he met (Kirsten Dunst, in a top-flight comic turn), wears a wildly inappropriate T-shirt on his first day of work, spritzes fast food onto the designer white suit of a relative of the publisher, and picks up a tranny hooker. And things go downhill from there. On his first magazine assignment, Sidney, checking captions for a photo page, calls a powerful publicist. "Is he the fat one?" Sidney asks the publicist about one of her clients. Silence. "Well, is he the one with the wonky eye, then?" Pegg is a scream as Sidney, playing quite a different role than his starring one in Shaun of the Dead. Dunst is delicate but steely, and her comedic timing, under the deft direction of Robert B. Weide (Curb Your Enthusiasm), is spot on. Great supporting work, too, by editor Jeff Bridges, whose enthrallment to the power elite, and silver mane, channel Graydon ! Carter; by Gillian Anderson, as a take-no-prisoners publicist;! and by Megan Fox, a starlet cast as a bosom-heaving Mother Teresa. Sidney, and the film, will win you over, with a lot of laughter along the way.--A.T. HurleyThe movie tie-in edition of Toby Young's bestselling memoir of self-sabotage at Vanity Fair.

With a major motion picture of How to Lose Friends and Alienate People about to be released (starring Simon Pegg, Kirsten Dunst, and Jeff Bridges), there has never been a better time to savor this laugh-out-loud memoir from everyone's favorite "professional failurist." In his dishy assault on New York's A-list, How to Lose Friends and Alienate People, Toby Young lands a job at Vanity Fair--and proceeds to work his way down Manhattan's food chain.UK Import Blu-Ray/Region All pressing. Please note the special features are in the PAL format and not viewable on US PS3/standard Blu-Ray players. The main feature is viewable on all players however.How to Lose Friends and Alienate People ma! y just be the first true British film--and a splendid one at that--to be set on American soil. The fearless actor Simon Pegg plays Sidney Young, a Fleet Street hatchet writer tapped to come to the States to join the literati, and glitterati, at a big, fat, glossy magazine--every resemblance of which to Vanity Fair is strictly intentional. Sidney is possibly the most annoying man in the Western world, tilting at nonexistent windmills. His character calls to mind many of the hapless charmers played by Hugh Grant--but Pegg, without Grant's raffish good looks, comes across as simply hapless. Which is perfect casting, since Sidney is supposed to be enormously aggravating, especially when he first lands in New York. In his first few days in the city, Sidney puts off the first magazine colleague he met (Kirsten Dunst, in a top-flight comic turn), wears a wildly inappropriate T-shirt on his first day of work, spritzes fast food onto the designer white suit of a relative of the publ! isher, and picks up a tranny hooker. And things go downhill fr! om there . On his first magazine assignment, Sidney, checking captions for a photo page, calls a powerful publicist. "Is he the fat one?" Sidney asks the publicist about one of her clients. Silence. "Well, is he the one with the wonky eye, then?" Pegg is a scream as Sidney, playing quite a different role than his starring one in Shaun of the Dead. Dunst is delicate but steely, and her comedic timing, under the deft direction of Robert B. Weide (Curb Your Enthusiasm), is spot on. Great supporting work, too, by editor Jeff Bridges, whose enthrallment to the power elite, and silver mane, channel Graydon Carter; by Gillian Anderson, as a take-no-prisoners publicist; and by Megan Fox, a starlet cast as a bosom-heaving Mother Teresa. Sidney, and the film, will win you over, with a lot of laughter along the way.--A.T. HurleyYou'll Never Eat Lunch in This Town Again meets The Bonfire of the Vanities, as told by...a male Bridget Jones? And it all really happ! ened.
In 1995 high-flying British journalist Toby Young left London for New York to become a contributing editor at Vanity Fair. Other Brits had taken Manhattan--Alistair Cooke, Tina Brown, Anna Wintour--so why couldn't he?

But things didn't quite go according to plan. Within the space of two years he was fired from Vanity Fair, banned from the most fashionable bar in the city, and couldn't get a date for love or money. Even the local AA group wanted nothing to do with him.

How to Lose Friends and Alienate People is Toby Young's hilarious and best-selling account of the five years he spent looking for love in all the wrong places and steadily working his way down the New York food chain, from glossy magazine editor to crash-test dummy for interactive sex toys. A seditious attack on the culture of celebrity from inside the belly of the beast, How to Lose Friends and Alienate People is also a "nastily funny read." (USA Today! )You'll Never Eat Lunch in This Town Again meets The Bon fire of the Vanities, as told by...a male Bridget Jones? And it all really happened.
In 1995 high-flying British journalist Toby Young left London for New York to become a contributing editor at Vanity Fair. Other Brits had taken Manhattan--Alistair Cooke, Tina Brown, Anna Wintour--so why couldn't he?

But things didn't quite go according to plan. Within the space of two years he was fired from Vanity Fair, banned from the most fashionable bar in the city, and couldn't get a date for love or money. Even the local AA group wanted nothing to do with him.

How to Lose Friends and Alienate People is Toby Young's hilarious and best-selling account of the five years he spent looking for love in all the wrong places and steadily working his way down the New York food chain, from glossy magazine editor to crash-test dummy for interactive sex toys. A seditious attack on the culture of celebrity from inside the belly of the beast, How to Lose F! riends and Alienate People is also a "nastily funny read." (USA Today)Boasting a brand new previously unreleased song by platinum-selling Mercury Records artist Duffy as its opening track, "Enough Love," the original motion picture soundtrack album for How To Lose Friends & Alienate People will arrive in the digital marketplace on September 30th and at physical retail outlets on October 14th via Mercury Records. In between, on Friday October 3rd, How To Lose Friends & Alienate People will open in theaters nationwide, distrib­uted by MGM Pictures.

In addition to Duffy, the soundtrack album will include "For Reasons Unknown" by the Killers (a track from their album Sam's Town). The soundtrack is a potpourri of U.S., UK and Euro selections by Dusty Springfield, the Kinks, Motörhead, Joey Ramone, Scissor Sisters, Electrovamp, MGMT, and others. There also several tracks by noted film score composer David Arnold of James Bond fame (Tomorrow Never Dies, Die Ano! ther Day, Casino Royale). The soundtrack finale is legendary I! talian f ilm composer Nino Rota's classic theme from 1960's La Dolce Vita. (Please see soundtrack album sequence below.)

One of the most eagerly awaited comedies of the fall season, the film stars Simon Pegg (Hot Fuzz, Shaun of the Dead) and is based on the best­selling memoir written by Toby Young. It tells the often hilarious story of a bumbling British celebrity journalist's move from London to New York to become a contributing editor at a highly prestigious magazine.

How To Lose Friends & Alienate People also stars Kirsten Dunst (Spider-Man, Eternal Sunshine of a Spot­less Mind, Bring It On), Danny Huston (The Constant Gardener, 30 Days of Night), Gillian Anderson (The X-Files, The Last King of Scotland), Megan Fox (Trans­formers), Max Minghella (Hippie Hippie Shake), and Jeff Bridges (The Big Lebowski, Sea­bis­cuit). The movie was directed by Oscar® nominated Robert Weide (Curb Your Enthusiasm), and produced by Oscar® nominated Stephen Woolley (The Crying Ga! me) and Elizabeth Karlsen.Brand New Product

District 13: Ultimatum

  • Two years have passed since elite police officer Damien Tomasso (Cyril Raffaelli) teamed up with reformed vigilante Leito (parkour originator David Belle) to save the notorious District 13, a racially charged ghetto populated by violent drug dealing gangs and vicious killers. Despite government promises to maintain order, the state of the district has deteriorated, and a group of corrupt cops and
With bone crunching fights and death defying leaps, this adrenaline charged follow-up takes the groundbreaking parkour action from DISTRICT B13 to thrilling new heights. (Fangoria)
Two years have passed since elite police officer Damien Tomasso (Cyril Raffaelli) teamed up with reformed vigilante Leito (David Belle) to save the notorious District 13, a racially charged ghetto populated by violent drug dealing gangs and vicious killers. Despite government promises to maintain order, the state of th! e district has deteriorated. A group of corrupt cops and elected officials conspire to cash in on the redevelopment of the district by proposing its destruction under nuclear air strike. Damian and Leito must join forces again, using their martial arts and unique physical skills, to bring peace to the neighborhood by any means necessary.Get ready to chase across rooftops, shatter plate-glass windows, and vanquish the enemy with a priceless van Gogh canvas (explanation forthcoming): the agile battlers from District B13 (a.k.a. Banlieue 13) are back. As played by David Belle (one of the inventors of the building-hopping practice called parkour) and Cyril Raffaelli, the two expert head-knockers from the first film return to fight yet another serious threat against the walled-off neighborhood in a slightly futuristic Paris. This time some corrupt government officials have a devious plot to raze the slum and funnel the rebuilding contracts to their payoff-happy cor! porate pals at Harriburton (a name that bears absolutely no re! semblanc e to any real-life corporate behemoth). Wisely delaying the reunion of our heroes, the movie opens with Raffaelli's epic throw-down against a gang of desperadoes, which he executes while wielding the van Gogh painting as a shield/weapon. Nice. Then Belle gets onstage for a typically graceful parkour workout across various buildings. This action, especially in its overblown, belief-defying later stages, has more than its share of fromage, but isn't that what we expect from writer-producer Luc Besson? Ultimatum isn't as sleek and effective as the first movie, but it has enough deft action and buddy-picture one-liners to justify its existence--and Belle and Raffaelli bristle with real movie-star appeal, especially when doing their Butch-and-Sundance routine. The ending suggests another sequel will need to have a very different setting, but that might not be such a bad thing. --Robert Horton

Envy (Luxe, Book 3)

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A man and a woman tread the lines of danger, desire, and deliverance in the new novel of the Fallen Angels from the #1 New York Times bestselling author of the Black Dagger Brotherhood series.

As the son of a serial killer, homicide detective Thomas "Veck" DelVecchio, Jr., grew up in the shadow of evil. Now, on the knife-edge between civic duty and blind retribution, he atones for the sins of his father- while fighting his inner demons. Assigned to monitor Veck is Internal Affairs officer Sophia Reilly, whose interest in him is both professional and arousingly personal. And Veck and Sophia have another link: Jim Heron, a mysterious stranger with too many answers... to questions! that are deadly. When Veck and Sophia are drawn into the ultimate battle between good and evil, their fallen angel savior is the only thing that stands between them and eternal damnation.

Murder is such a dirty word…

New York Times bestselling adult true crime author Gregg Olsen makes his YA debut with EMPTY COFFIN, a gripping new fiction series for teens based on ripped-from-the-headlines stories…with a paranormal touch.

Crime lives--and dies--in the deceptively picture-perfect town of Port Gamble (aka “Empty Coffin”), Washington. Evil lurks and strange things happen--and 15-year-olds Hayley and Taylor Ryan secretly use their wits and their telepathic “twin-sense” to uncover the truth about the town's victims and culprits. 
 
Envy, the series debut, involves the mysterious death of the twins' old friend, Katelyn. Was it murder? Suicide? An accident? Hayley and Taylor are ! determined to find out--and as they investigate, they stumble ! upon a d ark truth that is far more disturbing than they ever could have imagined.
 
Based on the shocking true crime about cyber-bullying, Envy will take you to the edge--and push you right over.
Sandra Brown, the #1 New York Times bestselling author, keeps readers turning pages with an explosive tale of a long-ago crime and the victim's plan for revenge...When New York publisher Maris Matherly Reed receives a tantalizing manuscript from someone identified only as P.M.E., its blockbuster potential-and perhaps something else-compels her to meet its author. On an eerie, ruined cotton plantation on a remote Georgia island she finds Parker Evans, a man concealing his identity and his past. Maris is drawn into his tale of two young friends and a deadly betrayal ... and to Parker himself. But there's something especially chilling about this novel, its possible connection to Maris's own life, and the real-life character who uses her, or anyo! ne, to get what he wants.The prologue of a novel arrives in the Manhattan offices of a book editor, who's intrigued enough to chase its mysterious author, identified only by his initials, to his decrepit plantation on an island off the Georgia Coast. That's the first clue that fiction is stranger than fact; few publishers (if any) would go to that sort of trouble for anything less than a new J.D. Salinger novel. But bestselling author Sandra Brown makes the most of her far-fetched premise, setting up a convoluted plot that keeps the reader engrossed despite its flaws and foibles.

Maris Matherly-Reed is more than an editor. She's also the beloved daughter of the publishing house's highly respected and successful leader, and the wife of Matherly Press's second-in-command, the smooth, suave, double-dealing Noah Reed. Reed, it develops, is the real target of the literary scam set up by the reclusive writer of the novel whose opening pages so captivat! e Reed's spouse. P.M.E., the writer, has a score to settle w! ith Mari s's husband, and he doesn't care whom he hurts as long as he brings Noah down. At least, not until he meets Maris, who has an unfortunate habit of falling in love with her authors (see above; that's the second clue). Brown is a master at romantic suspense, and Envy displays the talents that have won her a devoted following: a deft hand at evoking the vulnerability and humanity of her protagonists, a sure command of narrative tension, and a nice sense of place. This is a terrific hammock read, just right for a summer day as sultry and humid as Envy's Low Country setting. --Jane Adams

Officers DelVecchio and Reilly are aided in their hunt for a serial killer by a mysterious stranger enlisted to save the soul of the killer's latest victim, which is hovering between heaven and hell. The battle lines between good and evil are drawn-and the price may be nothing less than total damnation.



Officers DelVecchio and Reilly are aided! in their hunt for a serial killer by a mysterious stranger enlisted to save the soul of the killer's latest victim, which is hovering between heaven and hell. The battle lines between good and evil are drawn-and the price may be nothing less than total damnation.



Jealous whispers. Old rivalries. New betrayals.

Two months after Elizabeth Holland's dramatic homecoming, Manhattan eagerly awaits her return to the pinnacle of society. However, when she refuses to rejoin her sister Diana's side, those watching New York's favorite family begin to whisper that all is not as it seems behind the stately doors of No. 17 Gramercy Park.

In this thrilling installment of Anna Godbersen's bestselling Luxe series, Manhattan's most envied residents appear to have everything they desire: Wealth. Beauty. Happiness. But sometimes the most practiced smiles hide the most scandalous secrets. . . .


CSA: The Confederate States of America

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